Concepts of "Female Inversion" and the "New Woman" in Rhoda Broughton’s "Dear Faustina" (1897)

Published in 1897, Rhoda Broughton’s fin de siècle novel "Dear Faustina" took an active part in the discursive production of two cultural figures: the New Woman and the Female Invert. Employing those identity constructs 
Published in 1897, Rhoda Broughton’s fin de siècle novel "Dear Faustina" took an active part in the discursive production of two cultural figures: the New Woman and the Female Invert. Employing those identity constructs to negotiate conservative anxieties about social change, while at the same time commenting on a range of alternatives to Victorian middle-class lifestyle, the novel is clearly rooted in the discourses of transition that characterised the fin de siècle....
show moreshow less

Download full text files

Export metadata

  • Export Bibtex
  • Export RIS

Additional Services

    Share in Twitter Search Google Scholar
Metadaten
Author:Simone Hennig
URN:urn:nbn:de:hebis:30:3-275336
Referee:Susanne Scholz, Daniel Dornhofer
Document Type:Magister's Thesis
Language:English
Year of Completion:2012
Year of first Publication:2012
Publishing Institution:Univ.-Bibliothek Frankfurt am Main
Granting Institution:Johann Wolfgang Goethe-Univ.
Release Date:2012/11/12
Note:
Abschlussarbeit zur Erlangung der Magistra Artium im Fachbereich 10 der Johann Wolfgang Goethe-Universität Institut für England- und Amerikastudien. Einreichungsdatum: 1. Februar 2012.
Institutes:Neuere Philologien
Dewey Decimal Classification:820 Englische, altenglische Literaturen
Sammlungen:Universitätspublikationen
Licence (German):License Logo Veröffentlichungsvertrag für Publikationen

$Rev: 11761 $